![]() “Never Bet the Devil Your Head” isn’t the sort of story with which Poe tends to be associated. While the Poe connection may not be obvious, another authorial hand is much more in evidence: “Toby Dammit” is unmistakably the work of director Federico Fellini. Moreover, the credits of at least one edition of the film describe it as “liberally adapted” from Poe’s 1841 short story “Never Bet the Devil Your Head,” a rather obscure tale to begin with. Unlike the first two episodes - “Metzengerstein” (directed by Roger Vadim and starring Jane Fonda and Peter Fonda) and “William Wilson” (directed by Louis Malle and starring Alain Delon and Brigitte Bardot), both period pieces - “Toby Dammit” is set firmly in the late 1960s. Toby Dammit (Suite inc.”Tea For two” variations) (7:37)Ģ0.The 1968 anthology film Spirits of the Dead is based on the work of Edgar Allan Poe, but a viewer who neglects to read the on-screen text might be forgiven for failing to recognize the third and final segment as a Poe adaptation. Toby Dammit (The Awards – alternate takes # 2) (1:33)ġ9. Toby Dammit (The awards – alternate takes inc.”Tea For two” variations) (4:06)ġ8. Toby Dammit (Finale: Toby Dammit Theme / The Demon Child Theme -Reprise) (2:13)ġ7. Toby Dammit (Toby Dammit’ s Last Act) (0:51)ġ6. Toby Dammit (Toby Dammit Theme Swing Organ) (1:22)ġ5. Toby Dammit (Toby Dammit Theme -Organ) (0:48)ġ4. Toby Dammit (Toby Dammit Theme Slow Fox) (1:52)ġ3. Toby Dammit (Toby Dammit Theme -Reprise) (1:54)ġ0. Toby Dammit (The Demon Child -Reprise) (0:38)ĩ. Toby Dammit (Toby Dammit Theme Fast Fox) (0:48)Ĩ. Toby Dammit (Toby Dammit at the TV Show) (0:53)ħ. Toby Dammit (Toby Dammit in Rome) (0:53)Ħ. Toby Dammit (Toby Dammit’ s Thoughts) (4:02)ĥ. Toby Dammit (The Demon Child Theme) (0:44)Ĥ. Toby Dammit (My Name is Toby Dammit) (0:41)ģ. Toby Dammit (Main Titles – Toby Dammit Theme) (1:51)Ģ. Mastered by Claudio Fuiano from the session master tapes, the package includes an 8-page booklet featuring liner notes by Gergely Hubai, discussing the film and the score.ġ. This release of “Toby Dammit” features all the music, including a special bonus suite which was only included on a promotional CD by the Digitmovies label more than ten years ago, and a track with the voices of Fellini, Rota and conductor Carlo Savina working together during the recording sessions. The music for “Toby Dammit” was previously released only on the out-of-print compilation “Fellini/Rota: Three Original Motion Picture Soundtracks,” which also included music from Satyricon and Roma (both also re-released by Quartet Records). Apart from the main “Theme” and the “Demon Child Theme,” the highlight is the music written for “The Awards” ceremony, Fellini’s nightmarish parody of the Italian film scene set to a brilliant Rota composition that foreshadows the ecclesiastical fashion show from Roma. True to form, Rota recorded a lot more music than what ended up in the final cut this album, in fact, is about as long as the film itself. He is haunted by images of a mysterious girl, eventually revealed to be the devil.Įach segment was scored by a different composer, with Fellini bringing along his usual collaborator, Nino Rota. All three stories were based on the works of Edgar Allan Poe “Toby Dammit” in particular was based on the story “Never Bet the Devil Your Head.” The film tells the tale of the titular actor, a former prodigy who has been reduced to starring in a Catholic western shot in Italy. “Toby Dammit” is the Fellini-directed segment of Histoires extraordinaires (1968), a portmanteau film which also features contributions from Roger Vadim and Louis Malle. Quartet Records presents CD reissue of a small but important Rota/Fellini collaboration: “Toby Dammit.”
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